DJI Zenmuse X7

Fully compatible with DJI Inspire 2, the Zenmuse X7 is a compact Super 35 camera with an integrated gimbal made for high-end movie production.

Super 35 sensor | 6K CinemaDNG | 5.2K Apple ProRes | 14 Stops of Dynamic Range

Zenmuse X7 (Excluding Lens) × 1

The Zenmuse X7 is a compact Super 35 camera with a built-in gimbal made for high-end video production, offering stunning resolution and image quality. Its compatibility with the DJI Inspire 2 offers the best in next-level professional aerial cinematography. A 24MP CMOS sensor with 14 stops of dynamic range preserves particularly stunning detail and offers both 6K CinemaDNG and 5.2K Apple ProRes with support for sequential RAW photo shooting at 20fps and 24MP.

The Zenmuse X7 also introduces the DL-Mount, the world's first integrated aerial lens mount that allows you to quickly swap between four available prime lenses. For perfect editing, a new DJI Cinema Color system preserves accurate colors for easy post-processing. These latest innovations allow filmmakers to reach new heights and capture scenes as they imagine with the DJI Zenmuse X7.

Designed to excel

The Zenmuse X7 uses a Super 35 sensor, and its fast readout speed supports RAW output at 6K/30 fps and 3.9K/59.94 fps. The pixel size reaches 3.91 μm and the diagonal length of the sensor is 26.6 mm during recording. A sensor of this size offers greater light sensitivity and 14 stops of dynamic range, much wider than the 12.8 stops found on the Zenmuse X5S.
Furthermore, the SNR of the Zenmuse X7 is 46 dB, 8 dB higher than the Zenmuse All these features offer unlimited creative options for improved workflow in the most demanding situations on set.

Dynamic Range

SNR 18%

X5S	X7

Scene with wide dynamic range

D-Log	Lut applied

DJI DL-Mount System

Taking advantage of the new FSI-Cu technology, the Zenmuse In this way it is possible to use a more compact optical support, maintaining optimal quality.
The edge focal distance of the DL-Mount is less than 17mm, approximately 1/3 the size of a PL-Mount. That compact stand means the Zenmuse X7 only weighs around 630g with a lens included. Together, the Zenmuse

DL objectives

DJI offers four prime lenses for the DL-Mount system, with focal lengths from 16-50mm (35mm equivalent focal length: 24-77mm) and resolutions up to 8K. Made from lightweight carbon fiber and designed by the world's leading optical companies, the four lenses have been integrated with advanced technologies specifically designed for the Zenmuse X7's high-end image sensor.

Technical specifications of the lenses

More creative flexibility

To unleash the full potential of the Zenmuse X7, the CineCore image processing system on the Inspire 2 has been fully upgraded to CineCore 2.1. It is capable of recording 6K/30fps CinemaDNG and 5.2K/30fps Apple ProRes, leaving you with more creative options in post-production.
A new EI mode has been integrated into CineCore 2.1, capable of recording high-quality footage at different sensitivity levels. Furthermore, the upgraded image processing system further reduces image artifacts and noise, preserving further details, adopting improved dark level correction for professional-level cinematic images.
In addition to improved image processing performance, CineCore 2.1 also features a new color system, giving professional filmmakers greater creative flexibility in post-production.

A game changer from the start to the end

The new color system consists of a new D-Log curve and a D-Gamut RGB color space. With professional cinematography in mind, the D-Log can encode 15 stops of dynamic range, 2 stops more than the Zenmuse X5S. Even in low-light conditions, the Zenmuse
D-Gamut covers the entire DCI-P3 color space commonly used in film production. Suitable for aerial video shooting and photography, D-Gamut provides wider green tone coverage, offering a beautiful green gradation for your shots.

D-Gamut also offers optimal skin tone adjustment by shifting these tones to their most suitable chromaticity, ensuring vibrant colors that reflect from every inch of skin. By applying the dedicated 3D-LUT for color grading, skin tones transition slowly, even with large exposure differences. When designing D-Gamut, we considered manual color grading, preventing skin tones from turning yellow when editing without 3D-LUT or color management.
We are now working with more professional post-processing companies to include D-Log and D-Gamut in their software to achieve universal compatibility with cinematic workflows as soon as possible.